Carmelo Pompilio Realino Antonio Bene (1 September 1937 – 16 March 2002)[ Carmelo Bene on the Italian Encyclopedia Treccani]
In 1968, his movie Our Lady of the Turks won the Special Jury Prize (Venice Film Festival) at the Venice Film Festival.
Works
Literature
In 1979 he wrote, in collaboration with French philosopher
Gilles Deleuze, the essay "Superpositions". In 1984 his play
Adelchi was published. In 1970 he wrote the screenplay
A boccaperta.
-
I Appeared to the Madonna, translated with a preface by Carole Viers-Andronico (Contra Mundum Press: 2020)
Partial filmography
-
Oedipus Rex (1967, directed by Pier Paolo Pasolini) - Creonte
-
Nostra Signora dei Turchi - Our Lady of the Turks (1968, director, Venice Film Festival Special Jury Prize) - The Man / Narrator
-
Catch as Catch Can (1968) - Priest
-
Capricci (1969, director) - Poet
-
(1970) - Billy Desco
-
Don Giovanni (1970, director) - Don Giovanni
-
Necropolis (1970)
-
Tre nel mille (1971)
-
Salomè (1972, director) - Erode Antipa / Onorio
-
One Hamlet Less (1973, director) - Hamlet
-
Claro (1975)
Selected bibliography in English
-
Carmelo Bene, I Appeared to the Madonna, tr. with a preface by Carole Viers-Andronico (New York: Contra Mundum Press, 2020).
-
Carmelo Bene, "I am Non-Existent: Therefore I am," tr. by Carole Viers Andronico, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 37–44.
-
Carmelo Bene, “Being in Abandonment: Reading as Non-Memory,” tr. by Rainer J. Hanshe, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 45–49.
-
Carmelo Bene, "Well, yes, Gilles Deleuze!," tr. by Rainer J. Hanshe, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 50–57.
-
Carmelo Bene, Our Lady of the Turks, tr. with a preface by Carole Viers-Andronico (New York: Contra Mundum Press, 2021).
-
Gilles Deleuze, "One Manifesto Less," tr. by Alan Orenstein. The Deleuze Reader, ed. by Constantin V. Boundas (New York: Columbia UP, 1993) 204–222.
-
Gilles Deleuze, "Cinema, body and brain, thought," in Cinema 2: The Time-Image, tr. by Hugh Tomlinson & Robert Galeta (Minnesota: University of Minnesota Press, 1989) 190–191; 220.
-
Gilles Deleuze, " Manfred: an Extraordinary Renewal," in Two Regimes of Madness, tr. by Ames Hodges & Mike Taormina (New York: Semiotext(e), 2006) 188-189.
-
Tristan Grünberg, "Outrageous Salome: Grace and Fury in Carmelo Bene’s Salomè and Ken Russell’s Salome’s Last Dance," in Performing Salome, Revealing Stories, ed. by Clair Rowden (Abingdon; New York: Routledge, 2016) 171–189.
-
Emilio Villa, "Litany for Carmelo Bene," tr. by Dominic Siracusa, Hyperion: On the Future of Aesthetics, Vol. VIII, No. 1 (spring 2014) 58–67.
-
Amos Vogel, " Capricci," in Film as Subversive Art (New York: Random House, 1976).
-
Amos Vogel, " Our Lady of the Turks," in Film as Subversive Art (New York: Random House, 1976).
-
Amos Vogel, " Don Giovanni," in Film as Subversive Art (New York: Random House, 1976).
See also
Sources
-
Umberto Artioli - Carmelo Bene, Un dio assente. Monologo a due voci, Antonio Attisani and Marco Dotti eds., Medusa, Milan, 2006.
-
Giuseppe Leone, "D'in su la vetta della torre antica. Giacomo Leopardi e Carmelo Bene sospesi fra silenzio e voce", Edizioni Il Melabò, Lecco, 2015.
-
Giuseppe Leone, "D'in su la vetta della torre antica. Giacomo Leopardi e Carmelo Bene sospesi fra silenzio e voce", II Edizione, Grafiche Rusconi, Bellano-Lecco, 2016.
-
Carlo Alberto Petruzzi, Carmelo Bene. Una bibliografia (1959-2018), Damocle edizioni, 2018, 182 pp.
External links
